It is obvious that Conrad a writer that seems more(prenominal) preoccupied with his report than anything else. Conrad describes his narrative as essential in uncovering the underlying themes, ironies, characters, and mysteriousness of the novel. Like in most of his other works Conrad has intractable to use the omniscient fibber. The narrator is an extension of Conrad but the note between the two should be made. The omniscient, although an extension of the author, is purely a creation designed to fulfill themes and help with regards to the structure.
The omniscient switches umteen times, from character to character throughout the novel. This is done to give the commentator a certain divinity; a Godly bid state making one able to see all. at once the reader is given insight into the novel he/she is more capable in exposing truths. The omniscient is required to reveal the intense core of the narrative whilst retaining the ironic detachment Conrad wanted. The truly dreaded thing about the gift of divinity is that it allows one to clearly notice contrast. The contrasts lie in the ironic differences between realities. The narrator has allowed the reader knowledge that allows him/her to see Conrads reality, contrary to the reality created by the characters.
It is in fact this divinity that allows the reader to mock umpteen of the characters as they are blinded from parallel situations. An example of this is the end in which the assistant commissioner is assuring the safety of Verloc whilst he is world stabbed by Winnie. Ironic in substance, this further flatters the intelligence of the reader. This is in like manner used in revealing the the positions of the officials; in that they are unaware of the situations they must protect (this is obviously a jab at the real enforcers of his time).
The...
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