Yates Phillips
Writing 1320
Dr. Wu
April 23, 2001
All Money, All the Time
In Richard Brookhisers article All Junk, All the Time, Brookhiser explores ele ments of pit music which will never change because as he states it is so easy to do well enough (Brookhiser 607). He occupys that popular culture rock music, or pop, is inferior to the musical theater stylings of classical, jazz, and show tunes. Contrary to these superior forms of music, rock music requires no talent, it uses repetitive lyrics to play to listeners with inferior intellect, and above all there is easy money to be made.
Brookhisers viewpoint may count haughty or altruistic, but in reality his education is fact. This type of satirical commentary has existed for generations and will for many more. His claim that drumming is easy and can be faked mirrors Voltairian commentary of coherent past. He argues that the guitar is not a refined instrument and in support offers that this instrument does not require years of preparedness and is not used as curriculum in university musical studies.
Unrefined instruments beget unrefined music, which begets unrefined dancing. This idea elicits sighs of relief from men around the world. After all, who has time to take dance lessons? gemstone lovers can do well enough by gyrating in place, bumping and grinding. Come dance, its easy!
Perhaps Transcontinental Records CEO, Lou Pearlman, accentuates the most egregious criminal offense of the pop music industry. According to Jim Slotek of the Toronto Sun Pearlman is, in short, the make fun who created The Backstreet Boys and Nsync in a blimp hanger in Orlando, Fla., and watched his bright ideas riposte more than $2 billion in sales (Slotek 1). Since his inception of the two most profitable cookie cutter boybands Pearlmans boyband manufactory has, in concert with...
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